Poetry Only
Spring 2015. Vol. 37 No.4
Is the phrase “Poetry Only” a description or an imperative? Other issues of CV2 provide a way into a poem’s labyrinth with interviews, articles, and reviews, but in this issue the verse stands alone. Poetry’s language is a defense, a performance, a façade; an offering, a collaboration. It is the study of memory as a second language and it is a language we all share. The place where poetry comes from is right across the street from where memory lives. We hope, perhaps, here is where the reader and the writer meet for coffee. New poetry by Kathy Mac, Rhea Tregebov, Sally Ito, Louise B. Halfe, David Huebert, and 28 others stands together in this spring collection.
Online content from this issue
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by Ian Kent
Preparatory Glance Clouds gather as we ascend into quiet smell shaken solitude form of forest, Abbot Pass above a...
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by Brian Michael Barbeito
One (WINDOW: Castor and Pollux and the Lioness) Secular and Gnostic at once. I didn’t know her, but we went...
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by Angela Hibbs
Crawling over and crawled over busy with my hands and mouth and legs too, really, looking one way seeing another...
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by Angela Hibbs
Something really poetic is machines rusting. Consider crushing them, the implications of crushing them, the impossibility of rehabilitation. There...
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by Rocco de Giacomo
i. In dreams houses are ends of sad tales; a lantern’s glint in a parched land. The first touch...
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by Sally Ito
A girl who loved horses and poetry once told me there are tricks you can do on the eye-saddle of...
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by Cassidy McFadzean
I kiss that cold space on your cheek, a corner of light. I am on top so it feels like...