Essays

Where to Begin (Part 1 of “Homestead: Venturing into the Poetics of Place”)

By Michelle Elrick
“I’m going home,” I tell the cab driver, as he loads my suitcases into the trunk. He smiles and says,...

Making Art in Winnipeg

By Catherine Hunter
To practice art in this particular town is risky. Like all particular towns, this one has its perils. Some say...

The Winnipeg Cold Storage Company

By Jon Paul Fiorentino
The title of “Winnipeg Cold Storage Company” poses the question of collective memory and what it means to say that...

Notes on Systems, with Winnipeg in Mind

By J.J. Kegan McFadden
In recent years Winnipeg has had its reputation, at least in the visual arts, blossom internationally. With high profile group...

found:

By Rosanna Deerchild
one city one poet one voice & one love letter   It took me a long time to call myself...

Process and Parody, Reading and Writing

By Maurice Mierau
I read Linda Besner’s debut The Id Kid (Véhicule, 2011) because I can’t imagine writing like this, for the perfect...

Language that Burns: Remembering Adrienne Rich

By Tim Bowling
There are poets, and then there are poets. The first category is large and consists of all those who write...

Poetry Makes Love: On the Occasion of the Infinite in Poetry

By Julie C. Robinson
Mary Oliver is a poet who gives her attention to her natural surroundings and to a presence that she finds...

Formally Speaking: Screaming in Pentameter

By Maurice Mierau
In my first day in the Berryman archive, browsing through box 5, folder 6, I come upon the first draft...